Lim Wei Sheng & Charissa Tang from Raffles Junior College interview Rizman Putra and Noor Effendy Ibrahim, the two artists behind the show, Circus.
Posted by Lim Wei Sheng & Charissa Tang
in Performing Arts
Ng Yi-Sheng reviews the April TheatreWorks production, Dance Dance Dance, directed by Choy Ka Fai.
Posted by Ng Yi-Sheng
in Reviews, Performing Arts
Richard Lord reviews two productions: ACSian Theatre’s adaptation of Jane Austen’s Pride and Prejudice; and Wessex Theatre’s Shakespeare in Love.
Posted by Richard Lord
in Reviews, Performing Arts
What is unconscionable about Ng Yi-Sheng’s play, 251, is the treatment of its titular subject, pornstar Annabel Chong. The sense I got when I watched the show was that Annabel Chong functioned solely as a pretext to a campily conceived rant against the perceived flaws of Singaporean society.
Posted by Zhuang Yisa
in Reviews, Performing Arts
Singapore theatre has become conservative in an age of commercial success, relying on revivals, imports and sensationalism to sell our tickets. Enter Ho Tzu Nyen and Fran Borgia — instead of yet another dramatic rendition of a Shakespearean classic, they ask, why not attempt a staging of a critical essay of a play?
Posted by Ng Yi-Sheng
in Reviews, Performing Arts, Visual Arts